[27] Ihr Häuser des Himmels, ihr scheinenden Lichter, BWV 193a, composed in 1727, is another secular cantata on a text by Picander which was, shortly after its first performance, reworked into a sacred cantata (Ihr Tore zu Zion, BWV 193). Part VI is written for the holiday of Epiphany. Listen to J. S. Bach: Christmas Oratorio by English Baroque Soloists & John Eliot Gardiner on Apple Music. But the epitome of Christmas music is Bach’s Christmas Oratorio, which opens with a drum roll. Jordan Smith-Sep 25, 2016. The instruments used in part III are the same as part I. Like for his other oratorios, and his Passion settings, Bach employed a narrative based on the Gospel in his Christmas Oratorio. As can be seen below, the work was only performed in its entirety at the St. Nicholas Church. Evangelista: Es begab sich aber zu der Zeit (B minor) 3. The Christmas Oratorio, BWV 248, is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. [88] It was a translation of a 2002 Dutch-language study by Ignace Bossuyt [fr; nl].[89]. ‘There is no more life-giving, joy-enhancing experience in Bach’s music than a great performance of the Christmas Oratorio,’ writes the composer’s biographer Nicholas Kenyon. It may have even been the case that the Christmas Oratorio was already planned when Bach wrote the secular cantatas BWV 213, 214 and 215, given that the original works were written fairly close to the oratorio and the seamless way with which the new words fit the existing music.[70]. Find release reviews and credits for Bach: Christmas Oratorio - John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir on AllMusic - The date is confirmed in Bach's autograph manuscript. Prepare thy creddil in my spreit, 39 in part IV. The Christmas Oratorio is by far the longest and most complex work of the three.[1]. The Gospel text included by Bach in his six Christmas Oratorio cantatas consists of: The Gospel readings for the Third Day of Christmas (Prologue of the Gospel of John), and for the Sunday after New Year (the Flight to Egypt) are not directly used in the Christmas Oratorio. [35][39] The trio aria in Part V "Ach, wenn wird die Zeit erscheinen?" Christmas Oratorio II 1 (10). Parts I and III are written in the keys of D major, part II in its subdominant key G major. [40], Like for most of his German-language church music, Bach used Lutheran hymns, and their Lutheran chorale tunes, in his Christmas Oratorio. is believed to be from a similarly lost source, and the chorus from the same section "Wo ist der neugeborne König" is from the 1731 St Mark Passion, BWV 247. John Sebastian Bach's Christmas Oratorio, composed in 1734, both reflects this new piety and conveys the composer's experience living through this tumult during his own childhood and early career. Adherents of theories specifying small numbers of performers (even to 'One Voice Per Part') may however choose to use numbers approaching one instrument per named part. English Translation Cantata BWV 248/3 - Ruler of heaven, hear our inarticulate speech Christmas Oratorio III: Event: Cantata for the 3 rd Day of Christmas [St John's Day] Readings: Epistle: Hebrews 1: 1-14 / Ecclesiastical Letters 15: 1-8; Gospel: John 1: 1-14 (T) Evangelist And there were shepherds in that very region in the field nearby their sheepfolds, who kept their watch by night over their flocks. Part V is written for the Sunday after New Year's Day. J.S. The Christmas Oratorio (German: Weihnachts-Oratorium), BWV 248, is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It consists of six cantatas that between them tell the story of the Nativity, and the events of the following week or so. Bach: Christmas Oratorio Bach, Johann Sebastian (Composer), Gardiner, Sir John Eliot (Conductor), Monteverdi Choir (Orchestra), English Baroque Soloists (Orchestra), Argenta, Nancy (Performer), Otter, Anne Sofie von (Performer), Rolfe Johnson, Anthony (Performer), Blochwitz, Hans-Peter (Performer) & 5 more Format: Audio CD Part II is written for the second day of Christmas (December 26). Bach: Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas - No.2 Evangelist: "Es begab sich aber zu der Zeit" da Anthony Rolfe Johnson and English … The edition has not only a title—Weihnachts-Oratorium—connecting together the six sections, but these sections are also numbered consecutively. Following the huge success of 2015's Magnificat & Christmas Cantata, Dunedin Consort releases its eagerly awaited follow up, Bach's Christmas Oratorio. Zu ruhn in meines Herzens Schrein, This scoring was intended to symbolise the shepherds who are the subject of the second part. As John Butt has mentioned,[72] this points, as in the Mass in B minor, to a unity beyond the performance constraints of the church year. Also 26 and 27 December (second and third day of Christmas) were commonly considered feast days, with festive music in church. The continuo part is open to interpretation in matters of scoring. The original score also contains details of when each part was performed. Oh, my deir hert, young Jesus sweit, Mach dir ein rein sanft Bettelein, However, numbers 10, 12, 14, 17, 18, 19 and 21 in Part II call for 2 oboe d'amore and 2 oboe da caccia. Bach: Christmas Oratorio, BWV 248 / Part Four - For New Year's Day - No.38 Rezitativ (Baß): "Immanuel, o süßes Wort" Arioso (Chor-Sopran, Baß): "Jesu, du mein liebstes Leben"-"Komm ich will dich mit Lust umfassen" von Nancy Argenta & Olaf Bär & English Baroque Soloists & John Eliot Gardiner It was preceded by Advent, and followed by the period of the Sundays after Epiphany. In the oratorio there is, however, no association with the pain and suffering evoked in the Passion. A well-known English version of that stanza is "Oh, my dear heart, young Jesus sweet", the first stanza of "Balulalow", as, for instance, sung by Sting:[47][48]. Each part is performed for a certain day in the Christmas season. Coro: Jauchzet, frohlocket, auf preiset die Tage (D major) 2. J.S. Dass ich nimmer vergesse dein! Each part is a cantata for 1 of 6 feast days within the 12 days of the Christmas season: The story begins with the birth of Jesus (for Christmas Day). The Shepherd Cantata, BWV 249a, first performed on 23 February 1725, one of Bach's secular cantatas, is an early example of such cantata. In his German-language church music, Bach uses Lutheran chorale melodies. Bach abandoned his usual practice when writing church cantatas of basing the content upon the Gospel reading for that day in order to achieve a coherent narrative structure. 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